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We have started handing the strangers around us secret backstories, quiet rivalries, the occasional long-lost twin. Too many cliffhangers will do that to a person.

Romeo and Juliet, now shot two ways

Here is a sentence we did not expect to write: Shakespeare just walked onto a microdrama set. MuVpix, the US vertical app from Den of Thieves actor John Lewis, is producing Romeo & Juliet, Reimagined, a feud relocated to the criminal underworld of modern Los Angeles, and it is being filmed in both vertical and horizontal at once. Gabrielle Faith Brown, known for verticals like My Dark Romeo on GoodShort and ReelShort, plays Juliet. Crayton Carrozza is Romeo, Dutch actress Yolanthe Cabau is the Nurse, and model Jordan Barrett is Mercutio.

The crew is the tell. Latino filmmakers Max Decker and Dario Herrera wrote it together, with Decker directing and also playing Paris, Herrera as creative director and Lord Montague. BlackForge Partners, which owns MuVpix, co-produces. Designed as a hybrid viewing experience, the same story is built to live tall on a phone and wide on a screen. That is a different ambition than the usual swipe-and-pay soap, and it landed as a Deadline exclusive on June 19.

Why this matters for you: If you write or direct, prestige source material and a dual-format shoot mean vertical is commissioning more than billionaire-meets-secretary loops. A story made to travel between a phone and a living room is a bigger canvas to pitch toward, with named talent willing to stand on it. Bring your boldest adaptation, not your safest one.

Sources: Deadline · Yahoo

🇺🇸 United States

1. A new animation studio puts the artist before the algorithm. Intelligent Animation, founded by former Syfy chief Mark Stern and ex-ABC Entertainment chairman Lloyd Braun, launched June 23 with its first two animated microdramas, The Dragon Prince's Bride and The Prince's Personal Physician, adapted from Tapas webcomics and bound for the aTwist app this summer. The studio blends traditional animation with artificial intelligence (AI) tools but says it never uses AI to write scripts, generate original artwork, or fake a performance, keeping intellectual property (IP) rights and human artists at the center. A stated line in the sand, drawn at launch.StreamTV Insider

2. Directors just won authority over AI footage. The Directors Guild of America (DGA) National Board unanimously recommended a four-year deal with the Alliance of Motion Picture and Television Producers (AMPTP), with the member vote closing June 25. The terms put AI-generated footage under director control, treating it like footage shot with a camera, require studios to disclose AI plans during hiring, and fund a generative-AI skills program. For vertical sets, where AI-assisted shots are already routine, that precedent travels.The Hollywood Reporter

3. The buyer landscape just got heavier. The Department of Justice (DOJ) cleared Paramount Skydance's $111B acquisition of Warner Bros. Discovery on June 12 with no conditions, and CEO David Ellison is targeting a September 30 close that folds HBO Max and Paramount+ into one platform. Fewer, bigger gatekeepers is the reality every vertical creator is now pitching into, even as the format keeps building its own front doors. → CNBC

Here's what else is new:

  • Peacock's first Bravo microdrama finally went live. Following its upfront tease, NBCUniversal launched Campus Confidential: Miami on the Peacock mobile app June 15, opening with a 27-episode chapter starring Georgia Gay, daughter of Real Housewives alum Heather Gay. → Variety

  • The union clock on vertical is almost up. The SAG-AFTRA (Screen Actors Guild and American Federation of Television and Radio Artists) Verticals Agreement, which sets a $250 lead day-rate on union shoots under $300K, is due to sunset June 30 unless extended, now just days out. → Real Reel

🌐 Worldwide

1. The big four streamers named microdrama a top trend. At APOS, Media Partners Asia's annual Asia-Pacific media summit held June 16 to 18 in Bali, content chiefs from Netflix, Prime Video, Disney and Warner Bros. Discovery shared a stage and tagged microdrama and Japanese live-action as the region's hottest upcoming content, with one noting the vertical format is "just driving it faster." When the incumbents call your format the trend, the doors get easier to knock on.Deadline

2. AI dubbing aims a billion-viewer pipe at microdrama. Panjaya.ai and Israeli studio Shortical struck a localization deal at APOS on June 18 to dub Shortical's serialized output into Spanish, Portuguese, French and German, with Japanese and Russian next, an addressable audience north of one billion. The pitch is human-guided AI that keeps the performance intact, which is exactly where flat machine dubs have lost viewers before. → Variety

3. A queer streamer from Asia opened a vertical lane. GagaOOLala, the Taiwan-based Boys' Love and LGBTQ+ platform with 5.5 million members across 248 territories, has folded vertical drama into its app, founder Jay Lin told Real Reel on June 26, framing short-form as a way to pilot-test IP before betting on a full series. A genuinely new shelf, and a new buyer, for creators making queer and romance verticals.Real Reel

Here's what else is new:

  • RJOY bundled into two more Southeast Asian carriers. RisingJoy's microdrama service signed branded-distribution deals at APOS to ride Astro's Sooka in Malaysia and the IDN app in Indonesia, pushing its footprint to four markets after launching on TikTok Minis. → Deadline

  • Jakarta dangled rebates to lure vertical production. Vice Governor Rano Karno pitched new tax rebates and production incentives at APOS and met Netflix execs about deepening ties, with at least three more titles and a local crew-training program in planning. → Variety

Today's Pick

A clear-eyed making-of on how a Kyiv studio built a Formula 1 microdrama with a virtual-production stage and a generative pipeline, including the trick of generating a wrecked car and running it backward to fake a crash. Real talk on what AI production actually solves, and what it still cannot. → Read in Real Reel

Whether your story reads better tall or wide, this was the week somebody decided you no longer have to pick just one.

Until tomorrow. Stay Vertical.

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